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Contrast #3 by Purple [web]
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popularity : 37% |
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alltime top: #64916 |
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added on the 2008-03-01 11:19:13 by Adok  |
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comments
Another great issue, too bad it never really got the attention it deserved.
rulez added on the 2008-06-28 09:51:59 by d3pth 
Contrast #3
The final issue of Contrast is from December 1995. With a new engine, a simplified main menu and a higher contrast between text and background, it made a positive impression. The charts had three new categories, coders, graphicians, and musicians. There were a fiction corner and several interviews (Cosmic of Radical Rhythms, Dj moses, Draygen of Pure Resistance, Oliver Lieb, Necros of Five Musicians, and Stripe). A whole section was devoted to upcoming The Party 1995, with competition info, addresses, behaviour guidelines, etc. The articles dealt with tracking, MIDI, why the Scandinavians and the Finnish were dominating the scene and moomins. The engine also supported inline images inside the articles. All in all Contrast #3 didn't impress me much in spite of the technical improvements because the contents were not too interesting.
The final issue of Contrast is from December 1995. With a new engine, a simplified main menu and a higher contrast between text and background, it made a positive impression. The charts had three new categories, coders, graphicians, and musicians. There were a fiction corner and several interviews (Cosmic of Radical Rhythms, Dj moses, Draygen of Pure Resistance, Oliver Lieb, Necros of Five Musicians, and Stripe). A whole section was devoted to upcoming The Party 1995, with competition info, addresses, behaviour guidelines, etc. The articles dealt with tracking, MIDI, why the Scandinavians and the Finnish were dominating the scene and moomins. The engine also supported inline images inside the articles. All in all Contrast #3 didn't impress me much in spite of the technical improvements because the contents were not too interesting.
Nice music
very decent diskmag! there is something for everyone in there, and almost no cringy content.
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